M6 Metropole Television: Results for the First Nine Months of 2024
Consolidated revenue: €935.7 m, up 3.3% excluding scope effects1
TV advertising revenue: €647.4 m, up 3.7%
Streaming revenue: €63.8 m, up 35%
M6 Metropole Television (Paris:MMT):
Q3 |
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9 months |
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(€ millions) |
2024 |
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2023 |
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€m change |
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% change |
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2024 |
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2023 |
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€m change |
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% change |
Consolidated revenue |
278.8 |
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296.0 |
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(17.2) |
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-5.8% |
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935.7 |
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917.9 |
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17.7 |
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+1.9% |
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Group advertising revenue |
222.2 |
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232.3 |
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(10.1) |
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-4.4% |
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751.0 |
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736.6 |
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14.4 |
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+2.0% |
- of which TV advertising revenue2 |
188.9 |
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196.4 |
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(7.5) |
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-3.8% |
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647.4 |
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624.2 |
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23.2 |
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+3.7% |
- of which other advertising revenue3 |
33.3 |
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35.9 |
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(2.6) |
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-7.2% |
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103.6 |
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112.4 |
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(8.8) |
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-7.9% |
Group non-advertising revenue |
56.6 |
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63.7 |
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(7.1) |
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-11.2% |
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184.7 |
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181.3 |
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3.4 |
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+1.9% |
Following a July that was driven by Euro 2024, the Group’s activity was impacted by the broadcast of the Olympic and Paralympic Games.
Non-advertising revenue fell €7.1 million, mainly due to fewer cinema releases over the summer period compared with the previous year.
Over the nine months to
Over the first nine months of the year, non-linear revenues totalled €63.8 million (up 35% year-on-year), driven by the growth of M6+, whose audience figures reached 428 million4 hours viewed, an increase of 41% in relation to 2023.
The TV division’s content costs5 stood at €373.7 million for the nine months to
The Group’s consolidated profit from recurring operations (EBITA)6 totalled €157.1 million, down 17.7% and representing an operating margin of 16.8%.
*
* *
1. Television
TV advertising revenue | ||||||||
(€ millions) |
2024 |
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2023 |
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€m change |
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% change |
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Q1 |
220.1 |
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214.0 |
6.1 |
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2.9% |
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Q2 |
238.4 |
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213.8 |
24.6 |
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11.5% |
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Q3 |
188.9 |
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196.4 |
(7.5) |
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-3.8% |
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Total 9 months |
647.4 |
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624.2 |
23.2 |
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3.7% |
Linear broadcasting
Excluding the period covering the broadcast of the Olympic and Paralympic Games, the audience share of the Group’s four free-to-air channels (M6, W9, 6ter and Gulli) was almost stable year-on-year on the commercial target of 25-49 year olds, standing at 20.4% (down 0.1 percentage points), compared with 20.5% in Q3 2023.
Following a July marked by the success of Euro 2024, which saw M6 attract a total of 48 million viewers in
In September, the M6 channel recorded a good start to autumn in primetime on the commercial target of 25-49 year olds, driven both by its longstanding brands such as L’Amour est dans le pré (31% audience share at 7 days post-broadcast) and Pékin Express (22%) and its more recent franchises, such as The Traitors (30%).
On the commercial target of 25-49 year olds, the primetime audience share of the four free-to-air channels at 7 days post-broadcast stood at 26.7% over the third quarter, excluding the coverage period of the Olympic and Paralympic Games, meaning an increase of 2.5 pp in relation to Q3 2023, and primarily driven by M6, which stood at 19.7% as against 16.9% in 2023.
Non-linear broadcasting
The M6+ platform set new records in the third quarter of 2024, attracting 1.9 million8 daily viewers, a year-on-year increase of 15%. In particular, it achieved its best ever performance in terms of viewing figures on 5 July, with 1.1 millionsimultaneous users during the
9 months |
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Source |
2024 |
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2023 |
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% change |
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Monthly users (millions) |
Médiamétrie |
20.4 |
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16.1 |
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+27% |
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MHV streaming (millions of hours viewed) |
Médiamétrie8 |
419 |
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380 |
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+10% |
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In-house / Heartbeat4 |
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+41% |
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% MHV total | Médiamétrie |
6.2% |
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5.5% |
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+0.7pp |
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Streaming revenue9 (€ millions) |
63.8 |
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47.3 |
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+35% |
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% TV revenue |
8.7% |
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6.5% |
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+2,2pp |
The M6+ platform posted strong growth in terms of hours viewed on linear TV programmes, increasing their strength as reflected in the ratings achieved by M6’s primetime entertainment shows broadcast during the quarter (Pékin Express, The Traitors and L’Amour est dans le pré) which respectively achieved 53%, 39% and 27% of their audiences via on-demand, as was the case for W9’s reality TV shows, including Les Cinquante, which achieved 51% of its audience figures on-demand.
M6+ has gradually expanded its range of original series to meet audience demand and help to increase the number of hours viewed on the platform, notably with a catalogue of exclusive or entire series (Les Espions de la terreur, The Marvellous Mrs Maisel, Stargate), and international reality TV series (TheKardashians, The Real Housewives) which account for more than 30% of M6+’s year-on-year growth.
In addition, during the third quarter,
- with Pluto TV, a global pioneer in FAST channels and the first FAST service launched in
- with the online availability on M6+ Max of programmes from the US reality TV platform HAYU, as part of its partnership with
2. Radio
(€ millions) |
2024 |
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2023 |
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€m change |
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% change |
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Q1 |
33.9 |
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34.4 |
(0.5) |
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-1.4% |
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Q2 |
40.7 |
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43.9 |
(3.1) |
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-7.2% |
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Q3 |
35.7 |
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34.9 |
0.8 |
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2.3% |
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Total 9 months |
110.4 |
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113.2 |
(2.8) |
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-2.5% |
In the third quarter of 2024, Radio revenue totalled €35.7 million, an increase of €0.8 million compared with Q3 2023.
3. Production and Audiovisual Rights
(€ millions) |
2024 |
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2023 |
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€m change |
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% change |
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Q1 |
27.0 |
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18.7 |
8.3 |
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44.3% |
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Q2 |
13.3 |
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8.6 |
4.7 |
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54.8% |
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Q3 |
16.5 |
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21.6 |
(5.1) |
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-23.8% |
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Total 9 months |
56.8 |
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48.9 |
7.9 |
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16.1% |
Revenue from Production and Audiovisual Rights stood at €16.5 million over the third quarter of 2024, down €5.1 million due to the sharp drop in cinema admissions, with just 1.2 million10 (Le Larbin, Super Papa, Borderlands and L’Heureuse Elue) compared with 4.5 million over the third quarter of 2023, which was marked by the success of the animated film Miraculous.
4. Diversification
(€ millions) |
2024 |
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2023 |
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€m change |
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% change |
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Q1 |
6.6 |
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9.8 |
(3.1) |
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-31.9% |
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Q2 |
9.6 |
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10.0 |
(0.4) |
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-4.0% |
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Q3 |
9.8 |
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9.5 |
0.3 |
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2.7% |
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Total 9 months |
26.0 |
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29.3 |
(3.3) |
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-11.2% |
Diversification revenue was €9.8 million over the third quarter of 2024, an increase of €0.3 million.
*
* *
5. Financial position
At
6. Outlook
With regard to the last few months of the year and given the current economic and political environment, the advertising market remains uncertain, both on television and radio.
Next release: Full-year financial information on
M6
Ticker: MMT, ISIN Code: FR0000053225
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1 Excluding the deconsolidation of M6 Digital Services’ special interest media and services division, sold on
2 TV advertising revenue includes the advertising revenues of free-to-air channels M6, W9, 6ter and Gulli, and the platforms M6+ and Gulli Replay, as well as the share of advertising revenue from pay channels
3 Other advertising revenue includes the advertising revenues of radio stations RTL, RTL2 and Fun, and the share of advertising revenue generated by diversification activities
4 According to data from in-house measurement “Heartbeat”, including accounts authenticated on OTT, IPTV and Mycanal boxes, with 1 box being recorded as 1 user
5 Content costs to
6 Profit from recurring operations (EBITA) is defined as operating profit (EBIT) before amortisation and impairment of intangible assets (excluding audiovisual rights) related to acquisitions and capital gains and losses on the disposal of financial assets and subsidiaries
7 Médiamétrie
8 Médiamétrie - 4 Screens in 2023 / Médiamétrie – Médiamat in 2024 – Total hours consumed via catch-up across the scope of the Group’s channels as measured by Médiamétrie (inc. pay channels)
9 Total revenue from digital advertising revenues (AVOD) and revenues from subscriptions related to SVOD (6playMax/M6+ Max and GulliMax)
10 Source: CBO Box-office
11 The net cash position does not take into account lease liabilities resulting from the application of IFRS 16 - Leases
View source version on businesswire.com: https://www.businesswire.com/news/home/20241029147384/en/
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Source: M6 METROPOLE TELEVISION