Xperi In-Car Listening Report: Radio Listeners Favor Solo Artists and Genre-Hopping Musicians
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Teddy Swims’ hit single “Lose Control” takes control of the top five in
U.S. andU.K. during Q4; secures #1 spot inU.S. and globally for the entire year -
Shaboozey’s “Bar Song (Tipsy)” lands the #1 spot in the
U.S. and globally for Q4; ranks #2 for the entire year - Key trends include the dominance of solo and breakout artists, multiple genres and genre crossovers
The stand-out trend for the quarter was the staying power of chart-toppers by Shaboozey,
Not surprisingly, the popularity of the top four songs on the
Xperi also highlighted the top five most listened-to songs in-vehicle for the year overall, which underscored the year’s key trends:
- Genre diversity – no one genre dominated the 2024 top five lists
- Solo artists – bands and groups were nowhere to be seen in the top five rankings, reflecting a broader industry trend
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Newcomers/breakout artists – powerful presences almost eclipsed veteran hitmakers like Swift and
Beyoncé - Crossing genres – multiple artists fluidly transitioned between genres, especially between rap and country
“It certainly has been an interesting year for in-vehicle listening. From artists crossing genres to the impressive breakouts of TikTok artists almost eclipsing veteran hitmakers, these lists are just a fraction of the range of insights in-car listening data can provide,” said Joe D’Angelo, senior vice president of broadcast at Xperi. “The full range of in-car listening data can be a game-changer for broadcasters with its window into real-time listening patterns, duration and station switching behavior. It can help broadcasters better understand their listeners’ true preferences during their daily commutes and road trips, enabling them to optimize programming schedules, refine their content mix and deliver more engaging experiences that keep listeners tuned in longer.”
Key trends from Q4 and full year 2024
Genre diversity
The year’s top five
Solo artists
Solo artists ruled the 2024 top five lists each quarter and for the entire year, with no bands or groups appearing, and just two collaborations making the top five in Q3 and Q4: the Post Malone /
Newcomers/breakout artists
While songs from megastars
Crossing genres
Genres did not necessarily confine 2024’s artists. Rappers Post Malone and Shaboozey, as well as cross-genre
Top Five Most Listened-To Songs In-Vehicle
Artist |
Song |
1. Shaboozey |
“Bar Song (Tipsy)” |
2. |
“Espresso” |
3. |
“Die With a Smile” |
4. Billie Eilish |
“Birds of a Feather” |
5. |
“Lose Control” |
Top Five Most Listened-To Songs In-Vehicle
Artist |
Song |
1. |
“Stargazing” |
2. |
“Beautiful Things” |
3. Post Malone / |
“I Had Some Help” |
4. |
“Stick Season” |
5. |
“Lose Control” |
Top Five Most Listened-To Songs In-Vehicle Global Q4 2024
Artist |
Song |
1. Shaboozey |
“Bar Song (Tipsy)” |
2. |
“Espresso” |
3. |
“Die With a Smile” |
4. |
“Stargazing” |
5. |
“Taste” |
2024 Top Most Listened-To Songs In-Vehicle (
Top Five Most Listened-To Songs In-Vehicle
Artist |
Song |
1. |
“Lose Control” |
2. Shaboozey |
“Bar Song (Tipsy)” |
3. |
“Espresso” |
4. Doja Cat |
“Agora Hills” |
5. |
“Beautiful Things” |
Top Five Most Listened-To Songs In-Vehicle Global 2024
Artist |
Song |
1. |
“Lose Control” |
2. Shaboozey |
“Bar Song (Tipsy)” |
3. |
“Espresso” |
4. |
“Houdini” |
5. |
“Greedy” |
Insights from the DTS AutoStage Broadcaster Portal represent data from over 10 million vehicles across 150 countries equipped with the DTS AutoStage platform. These insights further Xperi’s mission to support the broadcast community by empowering broadcasters to forge deeper connections with their audiences.
“By combining the range of rich automotive data available from our broadcaster portal with traditional metrics, broadcasters can make smarter decisions about everything from music rotation and talk segments to advertising placements. The result is a more responsive, data-driven approach to broadcasting that better serves both listeners and advertising partners while maintaining the intimate, local connection that makes radio unique,” concluded D’Angelo.
The DTS AutoStage Broadcaster Portal provides radio broadcasters worldwide with analytics about where their audiences are listening, when they are listening, how long they are listening and the content they enjoy the most. Radio stations can access the DTS AutoStage Broadcaster Portal at no cost, whether they are broadcasting digitally or via analog by registering through the DTS AutoStage Broadcaster Portal.
For more information about DTS, visit dts.com.
*Data from vehicles equipped with DTS AutoStage
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